The Portrait

Maman et Papa (c. 1965)

The Portrait

I stare at the picture
of this man
I've never met.

There is something
in the eyes,
familiar.

I swear we have
met some time before.

I swear that his gaze
is something
I've drawn before –
or he has drawn me.

Sometimes
in the dark of night
I wonder which one
envisioned the other first.

The cant of his head,
the pools of his eyes,
are things I've
inherited without
lessons.

What am I to do?
pictures to be drawn,
poems to be written.

I'm a triangulation,
an extrapolation of him,
and the pretty woman
at his side.

Some kind of
strange prodigy;
a twist in reality,
a twist in sobriety.

(9 October 2006)

ideal

monday morning comes in a blue hybridized between cerulean and indigo yet brighter than a child's smile, if that is possible. the blue beckons me to come into the flood of the sun's rays yet i am still inside. the only light hitting me is the glow of the lcd screen. how momentarily sad and lame. soon, i will rise from this seat and venture out to enjoy the autumn sunlight.

had vivid dreams last night as usual. there were people i have not met yet. i know them in the dreams as i usually do but i have yet to meet them. venues and geography are generally the only clues i have as to when i might meet them. in some cases it was months later and in others, years passed. crossing of paths is inevitable though, i have learned that by now.

someone asked me this morning who was in the painting i just finished, people always assume i am painting someone in particular. but no, they are either people i've yet to meet or composites. composites can be useful. in the physical, character and other dimension one can craft the ideal person they would like to deal with. how much more convenient could it be to paint or draw a model who will never complain? especially if you depict them with a beauty they either don't possess or do not know how to show.

they become real. real enough anyway...

embarkation (2006)

Embarkation

The night grows late
but not as aged as I feel.

This heart wants to be lost
in my emotions,
leave everything behind;
this corporal existence.

Though I know there
is no exit out of this space;
this space of my head;
this space of my heart.

I wish for easy exit,
to let go and say goodnight,
but I know better.

I can't myself dumb down;
I can't myself let go
as if it were fiction;
someone else's book.
Conciliation or
reconciliation
comes sooner or later.

Readiness is pointless.

When in The moment,
the body shall die
and my world will stay
insignificant, without matter.

Yet consciousness only
rubs in this very existence.

Horizon of experience,
this is all I have:
a flame transfers ignis,
leaves consciousness as smoke.

trouble is a redhead [illustration friday]

The Self Banished
by Edmund Waller (1606-1687)

It is not that I love you less
Than when before your feet I lay,
But to prevent the sad increase
Of hopeless love, I keep away.

In vain (alas!) for everything
Which I have known belong to you,
Your form does to my fancy bring,
And makes my old wounds bleed anew.

Who in the spring from the new sun
Already has a fever got,
Too late begins those shafts to shun,
Which Phœbus through his veins has shot.

Too late he would the pain assuage,
And to thick shadows does retire;
About with him he bears the rage,
And in his tainted blood the fire.

But vow’d I have, and never must
Your banish’d servant trouble you;
For if I break, you may distrust
The vow I made to love you, too.

the scapula

one of my favorite passages from Jeanette Winterson:

"THE SCAPULA OR SHOULDER BLADE: The scapula is a flat triangular shaped bone which lies on the posterior superficial to the ribs and separated from them by muscle.

Shuttered like a fan no-one suspects your shoulder blades of wings. While you lay on your belly I kneaded the hard edges of your flight. You are a fallen angel but still as the angels are; body light as a dragonfly, great gold wings cut across the sun.

If I'm not careful you'll cut me. If I slip my hand too casually down the sharp side of your scapula I will lift away a bleeding palm. I know the stigmata of presumption. The wound that will not heal if I take you for granted. Nail me to you. I will ride you like a nightmare. You are the winged horse Pegasus who would not be saddled. Strain under me. I want to see your muscle sheath flex and stretch. Such innocent triangles holding hidden strength. Don't rear at me with unfolding power. I fear you in our bed when I put out my hands to touch you and feel the twin razors turned towards me. You sleep with your back towards me so that I will know the full extent of you. It is sufficient."

– Jeanette Winterson. from Written On The Body