Hier Soir, Ce matin

Last night's cigar and this morning's Oolong tea.

woke with your name

YOU

Uninvited, the thought of you stayed too late in my head.
so I went to bed, dreaming you hard, hard, woke with your name,
like tears, soft, salt, on my lips, the sound of its bright syllables
like a charm, like a spell.

Falling in love
is glamorous hell: the crouched, parched heart
like a tiger, ready to kill; a flame’s fierce licks under the skin.
into my life, larger than life, you strolled in.

I hid in my ordinary days, in the long grass of routine,
in my camouflage rooms. You sprawled in my gaze,
staring back from anyone’s face, from the shape of a cloud,
from the pining, earth-struck moon which gapes at me

as I open the bedroom door. The curtains stir. There you are
on the bed, like gift, like a touchable dream.

— Carol Ann Duffy

Duffy became Britain's Poet Laureate today. The first woman to hold the post in its 341 year history.

I can't look at his face and not shed tears. I miss him...

Stop all the clocks, cut off the telephone,
Prevent the dog from barking with a juicy bone,
Silence the pianos and with muffled drum
Bring out the coffin, let the mourners come.

Let aeroplanes circle moaning overhead
Scribbling on the sky the message He Is Dead,
Put crepe bows round the white necks of the public doves,
Let the traffic policemen wear black cotton gloves.

He was my North, my South, my East and West,
My working week and my Sunday rest,
My noon, my midnight, my talk, my song;
I thought that love would last for ever: I was wrong.

The stars are not wanted now: put out every one;
Pack up the moon and dismantle the sun;
Pour away the ocean and sweep up the wood.
For nothing now can ever come to any good.

— W H Auden

Ghosts

This autumn I won't be spending with ghosts
I won't be dancing with faces that have faded
the golds and reds of this season will fall
and be a prelude to the light of what I'll find
when these lids lift and the warm glow of you
touches my face, I'll know it is time to wake

11 December 2008

gaze

the space within his gaze
will be filled with a presence
that for now is only carried
in the organ beneath his ribs

Ember

He stares out into the afternoon light
Thinking of her image
With eyes closed mouth parted

And forehead against the cold steel wall
Hands delicate as primary feathers of a swan
With grace in her neck to match

He stared into the image in his mind
And let lose his eyes
To the thoughts of her being

Trying to feel ephemerally
Her mercurial mood
Trying to close the distance

An expanse of continent and ocean
Trying to reach the source of the little fire
That burns beneath his ribs

Like an ember that sleeps for years
Before evolving into a forest fire

30 March 2008

Contrast & Classicism

A friend and I have been talking about some of the sci-fi books we read growing up and the cover art that opened the doors to our imaginations and influenced us into becoming designers. I remembered that I had found this in a bin of a waiting room a couple of years ago. It is definitely a classic both as a book and its cover art (which I believe is by John Berkey).

It is funny because in this last week several others have brought up the subject of classic sci-fi books and such. We such a bunch of geeks. I wouldn't have it any other way. :p

Serve

Midnight came too early
Dawn passed without sleep
And dreams did not come

Until birds ceased to sing
And I sit here feeling battered
As if night holds a grudge because

I was recapitulating my day instead
Of listening to her lamentation
Give me a hand or a cup of tea

To warm my touch and soothe my senses
Or give me longer days and nights
So I can two mistresses serve

25 March 2008

formations

lines ascend
accelerate
abruptly plummet
turn like eagles
in mating dances
slashes dots curls
congregate
a thousand bees
ready for forage
rows rows rows
of variant formations
yield at end of pages
what a single image
imprints into memory
of patient observant ones

–equusignis

Weight of Attraction

Her branches broke
Under the weight of attraction
But he was; still,
A leathery countenance
Back-staging the luminance
Of her Winter blossoms

No shame (needed) plug. Brushes & Petals: A Benefit Show for Children in Vietnam

I am showing a selection of my photos and watercolors this coming weekend in a two person exhibit. The photography will be a combination of photos from last summer and fall as well as of a Ikebana arrangements by my friend Ivy. Part of the proceeds of the show will go to a non-profit called ICAN.

For those of you in the Bay Area, please drop by if you can. It's for a good cause.

RECEPTION
Saturday, January 26, 2008: 3pm - 7pm

EXHIBITION
Friday, 1/25/08: 3pm - 7pm
Saturday, 1/26/08: 10am - 7pm

ICAN is a 501 (c)3 non-profit organization whose mission is to help Vietnamese children realize their potential and become caring and contributing members of their family and community. ICAN's programs aim to create strong family and community networks to support the children as well as provide the children with skills, confidence and opportunities to succeed in life.

For more information, please visit www.ican2.org

Shadows (of things that get overlooked)

Today seemed overly productive, for a while there, so I decided by mid-afternoon it was time to stretch my legs with a photowalk outside. The sky was clear and cold so I walked. Oddly, I walked and walked and even got on a bus and I was uninspired to take a photo of anything. Not good. I boarded a bus and headed to a local bookstore. It was depressing. It looked like it was trying to regain itself from the Holiday rush. I considered seeing a movie but that seemed contradictory to my getting out of the house.

It was not until I was almost home that I started to click the shutter. It seemed odd because they were at places where I saw almost everyday and found a couple of new things. So...



And when I looked at the photo, this came to me:

Shadows as veins
Reveal past damage
Shadows as lines
Reveal ages past

January 7, 2008

Six of Swords

"...the Six of Swords shows the necessity to take a look at where you've been and where you're going. This mental clarity will also serve to smooth the way ahead, and make the passage from negative to positive as peaceful as possible. Though the waters behind are choppy, there are no rough seas ahead to slow your progress...Instead of ruling the emotions, the Six of Swords actually offers a highly controlled balance of logic and intuition. This is how true mental clarity arises; you can use your intuition to guide you through easy situations and call upon your impartial and analytical nature when it is needed for a more complex decision. Do not seek to suppress your emotions any more than a sea captain would want to eliminate the water. Rather, respect their presence and their power in your life, and use them to your advantage. When a balance between head and heart is achieved, truly great things can be accomplished."

–James Rioux from www.ata-tarot.com

The Pond

It has rained all day today. Feeling nolstagic, I donned my coat and grabbed my camera and went for a walk, half-heartedly wishing that my walk was taking place in another continent, in another place. The sky reminded me of winter days in La Tour-de-Peilz or Dundee. When I think of these places and all the moments of laughter I had there I find a bittersweet flavor in the core of my heart. Constantly we compare the moment of now in some sort of dissonance and look back to other times when we laugh as a matter of natural response, not a practiced effort. Still, I did find some kind of little joy in my steps today, listening to the rain drops pelting my hood even with earbuds in and listening to the moment's soundtrack from my iPod nano and feeling the swing and thump of my camera hanging around my neck and tucked in under my coat.

I managed to get a couple of photos without destroying my camera in the downpour...then when I came home, I found the poem.



The Pond

Night covers the pond with its wing.
Under the ringed moon I can make out
your face swimming among minnows and the small
echoing stars. In the night air
the surface of the pond is metal.

Within, your eyes are open. They contain
a memory I recognize, as though
we had been children together. Our ponies
grazed on the hill, they were gray
with white markings. Now they graze
with the dead who wait
like children under their granite breastplates,
lucid and helpless:

The hills are far away. They rise up
blacker than childhood.
What do you think of, lying so quietly
by the water? When you look that way I want
to touch you, but do not, seeing
as in another life we were of the same blood.

Lousie Glück

Winter Sarabande

Strewn across his vision
are fragments of hues
and luminance; souvenirs
of the moments of a year.

White pale light conducts
fragments of remembrance,
matching chroma and senses
like a kiss telling a truth.

movement

sometimes things have to be arbitrary or seem that way, sometimes enough is enough and you dust off your breeches, get up and go. the thing is you never know when it comes. last night, it came to me and from where i know not. maybe it was in the words of another but that is not as important as it coming...



The Delight Song of Tsoai-talee

I am a feather on the bright sky
I am the blue horse that runs in the plain
I am the fish that rolls, shining, in the water
I am the shadow that follows a child
I am the evening light, the lustre of meadows
I am an eagle playing with the wind
I am a cluster of bright beads
I am the farthest star
I am the cold of dawn
I am the roaring of the rain
I am the glitter on the crust of the snow
I am the long track of the moon in a lake
I am a flame of four colors
I am a deer standing away in the dusk
I am a field of sumac and the pomme blanche
I am an angle of geese in the winter sky
I am the hunger of a young wolf
I am the whole dream of these things
You see, I am alive, I am alive
I stand in good relation to the earth
I stand in good relation to the gods
I stand in good relation to all that is beautiful
I stand in good relation to the daughter of Tsen-tainte
You see, I am alive, I am alive

–N. Scott Momaday

friday

today was marginally better.

i had to cry. i had to cut new quills and scribble thoughts on paper but it made me continue. at an hour before dusk, i walked and talked to the dying light to give me some interesting images. i walked and looked and shot while listening to suzanne vega and the shins. it is funny how simple things can make minutes, moments, hours more bearable...




Gold teeth and a curse for this town were all in my mouth.
Only, I don't know how they got out, dear.
Turn me back into the pet that I was when we met.
I was happier then with no mind-set.

And if you'd 'a took to me like
A gull takes to the wind.
Well, I'd 'a jumped from my tree
And I'd a danced like the king of the eyesores
And the rest of our lives would 'a fared well.

New slang when you notice the stripes, the dirt in your fries.
Hope it's right when you die, old and bony.
Dawn breaks like a bull through the hall,
Never should have called
But my head's to the wall and I'm lonely.

And if you'd 'a took to me like
A gull takes to the wind.
Well, I'd 'a jumped from my tree
And I'd a danced like the king of the eyesores
And the rest of our lives would 'a fared well.

God speed all the bakers at dawn may they all cut their thumbs,
And bleed into their buns 'till they melt away.

I'm looking in on the good life I might be doomed never to find.
Without a trust or flaming fields am I too dumb to refine?
And if you'd 'a took to me like
Well I'd a danced like the queen of the eyesores
And the rest of our lives would 'a fared well.

–The Shins

This is the light of the mind, cold and planetary.

it is that time of the year again. i don't know why death comes so frequently around the holidays but several of my friends have lost dear ones in a short time. or is it maybe we jus pay attention to it more? is it because we become more sensitive of how it is to be alone?

whatever the reasons, i feel for my friends. it is also because i have expressed the same, have known the thorn in the heart and the pebble beneath the saddle. i am a horse so all i know is to move ahead regardless of whether or not i know what direction i'm headed into.

unlike some journeys, some destinations can't be known...




The Moon and the Yew Tree

by Sylvia Plath

This is the light of the mind, cold and planetary.

The trees of the mind are black. The light is blue.

The grasses unload their griefs on my feet as if I were God,

Prickling my ankles and murmuring of their humility.

Fumy, spiritous mists inhabit this place

Separated from my house by a row of headstones.

I simply cannot see where there is to get to.

The moon is no door. It is a face in its own right,

White as a knuckle and terribly upset.

It drags the sea after it like a dark crime; it is quiet

With the O-gape of complete despair. I live here.

Twice on Sunday, the bells startle the sky——

Eight great tongues affirming the Resurrection.

At the end, they soberly bong out their names.

The yew tree points up. It has a Gothic shape.

The eyes lift after it and find the moon.

The moon is my mother. She is not sweet like Mary.

Her blue garments unloose small bats and owls.

How I would like to believe in tenderness——

The face of the effigy, gentled by candles,

Bending, on me in particular, its mild eyes.

I have fallen a long way. Clouds are flowering

Blue and mystical over the face of the stars.

Inside the church, the saints will be all blue,

Floating on their delicate feet over the cold pews,

Their hands and faces stiff with holiness.

The moon sees nothing of this. She is bald and wild.

And the message of the yew tree is blackness—blackness and silence.

clouds

if she calls
if they call
if i call myself
what will it come to?

in the cold days
i love to walk in the shade
knowing the light might melt me
knowing even i have a limit

if she calls
if they call
what if i hide myself
what would that bring me

in distant cloud days
in days when they are shy
i sense they won't enable me
they play tag with the yellow disc

02 december 2007

most days I cannot remember

Wanting to Die

Since you ask, most days I cannot remember.
I walk in my clothing, unmarked by that voyage.
Then the almost unnameable lust returns.

Even then I have nothing against life.
I know well the grass blades you mention,
the furniture you have placed under the sun.

But suicides have a special language.
Like carpenters they want to know which tools.
They never ask why build.

Twice I have so simply declared myself,
have possessed the enemy, eaten the enemy,
have taken on his craft, his magic.

In this way, heavy and thoughtful,
warmer than oil or water,
I have rested, drooling at the mouth-hole.

I did not think of my body at needle point.
Even the cornea and the leftover urine were gone.
Suicides have already betrayed the body.

Still-born, they don’t always die,
but dazzled, they can’t forget a drug so sweet
that even children would look on and smile.

To thrust all that life under your tongue!—
that, all by itself, becomes a passion.
Death’s a sad bone; bruised, you’d say,

and yet she waits for me, year after year,
to so delicately undo an old wound,
to empty my breath from its bad prison.

Balanced there, suicides sometimes meet,
raging at the fruit a pumped-up moon,
leaving the bread they mistook for a kiss,

leaving the page of the book carelessly open,
something unsaid, the phone off the hook
and the love whatever it was, an infection.

–Anne Sexton